Thursday, October 18, 2012

Convocation of the unseen


Human trafficking to UK is rising
The Guardian, 18 October 2012

Two scenes into the screening he gets it already
this isn’t the kind of picture he likes to give up
his free time to. There are no chase sequences,
no shoot-em-ups, passionate couplings or partings.
In place of depictions of a decadent idealistic
western lifestyle (that after all he’s been through
is the myth he aspires to) a documentary charting
Bristol’s wax and wane as an axis for slavery.
A shilling on the guinea for livestock from Africa
or cotton from the colonies, it pays to diversify,
the overseer notching up pickings on a ledger
of leathery sun-blackened hide. He empathizes
more with the slaver than the negro slacker,
our deluded movie theatre dreamer who craves
inclusion more than liberty, a lighter skin-shade
for upward mobility, the same shoes and tie
as the neighbours. Like in the Truman Show.
After the titles the lights come up and everyone
makes for the shadows they came from, the men
the women, Romanians, Chinese, Slovaks, Nigerians,
Vietnamese, indentured workers who don’t exist.


(c) 2012 Slush Poet

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